Bite 145: Alfred Jacob Miller - The Trapper’s Bride, 1850

The Trapper’s Bride, 1850, oil on canvas, 76.2 x 63.5 cm, Joslyn Art Museum, Omaha

"I saw the marriage of the trapper in the open air in the far west, the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking, they had moccasins to their feet and large thick blankets hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his luxuriant beard and curls protected his neck, he held his bride by the hand,
She had long eyelashes, her head was bare, her coarse straight locks descended upon her voluptuous limbs and reach'd to her feet."

                                                 - Walt Whitman, from Song of Myself

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Bite 144: Giuseppe Penone - Tree of 12 Metres, 1980-2

Tree of 12 Metres, 1980-2, wood (American larch), 600 x 50 x 50cm, Tate Modern

Out of processed planks of timber the ancient technique of carving draws out the shape of a tree, wood removed ring by ring until twelve metres of tree - bottom to top and top to bottom - is exposed within two sawn pieces of wood, initially intended for construction.

Twin poles tower above, skeletal totems warning of the future potential for a barren wasteland where forests once stood.

Against a compartmentalised exploitation of nature, Giuseppe Penone reveals the potential for a more sensitive approach to the environment. Sculpture is engaged in a reconstruction through deconstruction, a turning back of the clock, pulling back to reveal the raw within the contained.

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Bite 143: Richard Long - A Line Made by Walking, 1967

A Line Made by Walking, 1967, photograph, 38 x 32 cm

The artist paces an empty, nondescript field in the west of England for an indeterminate length of time. The act of walking, over time, creates a line: the sun catching the flattened grass enough to make this physical intervention visible on the landscape itself. 

The artist photographs the result, forming a (semi)-permanent record of a temporal performance.

As a work of 'art' the piece exists in many forms: as an action, a performance; as a temporary 'sculpture', flattened grass left to continuing growing as it had been, soon to disappear; as a photograph, captioned simply A Line Made by Walking, 1967; and as an idea, with the potential of the 'original' action being played out by others.

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