realitybitesartblog

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Monday, 3 January 2011

Bite 30: Käthe Kollwitz - Mother with Dead Child, 1903

Posted on January 03, 2011 by niten
Mother with Dead Child, 1903, etching
There is no condolence here. The viewer is faced with the brutal fact of mortality - death far too soon - just as the mother depicted is. She is shown as a dark, jagged, hunched-over mass, clinging to what is left of her child, who is etched as almost angelic in comparison, with delicate features and a bony shoulder emphasising his vulnerability. In many ways the child is more present here. 

The overwhelming grief of the mother is focused interminably on the corpse of her child as she desperately embraces him. A pain no person should ever experience is here made all too real and tangible. 

Beate Bonus-Jeep, Kollwitz's close friend, described the etching as, "A mother, animal-like, naked, the light-coloured corpse of her dead child between her thigh bones and arms, seeks with her eyes, with her lips, with her breath, to swallow back into herself the disappearing life that once belonged to her womb."

Created with immense feeling the work represents a deep understanding of its subject matter yet Kollwitz had no direct experience of this. It was only during WWI that her own son, Peter, age 21, (who posed as the Dead Child at age 7) was killed in the trenches. Her grandson died in WWII.

Sources:
NYU Database
Email ThisBlogThis!Share to XShare to Facebook
Posted in art history, death, Germany, war | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • Bite 47: Claude Cahun - Que Me Veux-Tu? (What Do You Want From Me?), 1928
    Que Me Veux-Tu? (What Do You Want From Me?), 1928 André Breton, founder of the Surrealist movement, called her “one of the most curious spi...
  • Bite 20: Duane Michals - The House I Once Called Home, 2003
    The House I Once Called Home , 2003 The raw material of photography is light and time. Each photograph then, although appearing solid, conta...
  • Bite 118: George Segal - The Restaurant Window, 1967
    The Restaurant Window , 1967, mixed media, 244 x 351 x 175 cm, Museum Ludwig, Cologne An Edward Hopper painting  become sculpture, the lonel...

Categories

  • abstraction
  • American Realism
  • animals
  • Argentina
  • art history
  • Baroque
  • Beat Generation
  • Biblical
  • black and white
  • book
  • book shop
  • books
  • bookshop
  • bookstore
  • Chile
  • colour
  • Conceptual Art
  • contemporary art
  • death
  • Denmark
  • drawing
  • England
  • France
  • Funk
  • gay
  • gender
  • genre painting
  • Germany
  • Greece
  • history of photography
  • Impressionism
  • installation
  • Italy
  • Korea
  • LA
  • landscape
  • literature
  • locality
  • London
  • lyrics
  • Medieval
  • Mexico
  • mixed-media
  • Modern Art
  • museums
  • music
  • myth
  • Nabis
  • Neo-Classicism
  • Neolithic
  • Netherlands
  • New York
  • New Zealand
  • non-western art
  • nude
  • NYC
  • Op Art
  • painting
  • Paris
  • pastel
  • Performance Art
  • personal
  • photo
  • photo journalism
  • photography
  • poetry
  • Pop Art
  • portrait
  • Post-Colonialism
  • Pre-Raphaelite
  • prehistoric
  • public art
  • quotation
  • quote
  • Realism
  • Renaissance
  • Romanticism
  • Samoa
  • sculpture
  • self portrait
  • Spain
  • still life
  • Sublime
  • Surrealism
  • Tahiti
  • tapestry
  • travel
  • USA
  • video
  • war

Blog Archive

  • February 2012 (2)
  • January 2012 (9)
  • December 2011 (1)
  • November 2011 (3)
  • September 2011 (3)
  • August 2011 (9)
  • July 2011 (5)
  • June 2011 (14)
  • May 2011 (18)
  • April 2011 (17)
  • March 2011 (16)
  • February 2011 (21)
  • January 2011 (24)
  • December 2010 (8)
Powered by Blogger.

Search This Blog

Report Abuse

  • Home

About Me

niten
View my complete profile